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Authorized reprint of:
Clube do Audio & Video
by Fernando Andrette Many
consumers still hope that power cables (power cords) really don't have any
important effect on the sound, or stated otherwise, the whole issue about
power cables just be another marketing trick to make more money.
They ask "How is it possible that the last meter connecting the power
amp or the CD player could make any difference?"
It seems to defy any logical reasoning. However, I must say to some
of our readers (who still think so) that power cords really make enormous
differences!
Naturally, in an ideal situation, the reasonable would be to expect a
decent electrical installation and supply. However, even when we
don't have such conditions, power cables can contribute efficiently to get
the best of your configurations.
I got already accustomed with the skeptical attitude of many
persons. I'm no longer surprised with the chain reactions that
happen in my lectures and workshops on musical perception when I show and
demonstrate unequivocally the importance of that kind of component.
The last time this happened in one of these workshops it was somehow a
kind of upheaval! Many disbelievers simply refused to accept what
they heard and saw. In end, what really matters is that everyone
(literally) leaves the workshop with an understanding about the importance
of power cables. Once this stage is reached, the whole issue
changes. Now the question is: can a power cable be a substitute for
a mains conditioner? Or still, isn't it true that the addition of 3
or 4 good power cables possibly reach the price of good mains
conditioner? And so, a lot of questions keep showing up in the mind
of the (would be) audiophile. Regarding the first question, i.e. the
one regarding the use (or not) of a mains conditioner, I would say that it
depends of the configuration. Giving an example: I don't use mains
conditioners (in my listening sessions), since my system doesn't need
one. That is due the fact that my converter (DAC), my pre and my
power amp generate their own "clean" energy. Well, then it
is possible that some will say: "But your situation is the exception
rather than the rule!" May be, but I know many integrated
amplifiers and CD players that work much better when connected through a
power cord than when using a mains conditioner. In my personal
opinion, power cables (when perfectly matched to the system) don't
compress dynamics. And thinking that, in high fidelity equipment,
dynamics is usually the stumbling block for many a system (if not, in some
measure, for all) we now are faced with another problem to solve.
Going back to our doubts, it all depends how we are willing to spend in
the system, since is pointless and ineffective employing a US$900 cable
together with an integrated amp of, say, US$1000. The G Clef, made
by GutWire, is a cable whose presentation and construction defies any
criticism. They are terminated with connectors of the highest
quality (that work with loads up to 20 amperes), utilize OFC copper of the
highest purity. All power cables by this maker have a connector like
a ply (one that "bites") that must be also connected in case of
RF breakthrough.
Lets face it: perhaps all this stuff can be useful in large urban areas,
like S. Paulo or Rio, or in downtown neighborhoods where we can find a
plethora of FM antennas scattered throughout the area. The cable,
however thick its gauge, doesn't destroy the system components,
accommodating well all the integrated amps and CD or SACD players where I
have employed it.
Burning time, according to the manufacturer is a minimum of 60
hours. No less than that.
The cable was connected to the Rega Planet CD player, the Sony 555ES, the
DaCap converter, the Etalon power amp, as well Electrocompaniet, Magnum
and Roksan amps.
I would say that its main virtue is a blacker, less noisy,
background. It has an excellent focus ability and depth as well an
excellent resolving power of micro details. With the Etalon power
amp it has been possible to perceive a better definition of the sound
stage and better lateral positioning of the musicians (in symphonic
music). With the Electrocompeniet amp, the treble showed more air,
with a decay of the musical notes still softer. With the Sony 555ES
the midrange region (when reproducing CDs 16/44KHz) become more refined
and detailed.
Concluding Remarks
The G Clef power cable, made by GutWire, has high refinement and
compatibility, and can be a very good choice for equipments in the entry
level of the Gold category. It is not as voluptuous and precise as
the Combak, NBS or PS Audio cables, but in no way it has a bad performance
when properly set up and fine-tuned. Recommeneded of course, with
good cost/benefit ratio.
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